Real workflows, not demos
What you can actually do
The interesting question is not whether you can see your Mac on your iPad — many apps do that. The interesting question is whether the apps you actually use every day still feel right when the input is coming from across the room. Here is what works.
- Code in Xcode from the couch
- Open Xcode on the host Mac, run a build, attach the debugger to a connected iPhone — all from your iPad in the next room. The iPad’s Magic Keyboard reaches the Mac as a native keyboard, every shortcut works (⌘B, ⌘R, ⌘.). Console output streams back in real time. The compile happens on the Mac’s M-chip, the lap-warmth happens on your couch.
- Paint in Procreate on the host Mac
- Procreate isn’t on Mac — but Affinity Photo, Photoshop, and Fresco all are, and they all read Apple Pencil pressure and tilt through Remio as a native tablet device. You paint on the iPad, the brush stroke happens on the Mac, you get full undo history and your Mac’s plugin library. The cursor on the Mac follows your pencil tip with sub-frame accuracy.
- Edit in Final Cut Pro
- Final Cut Pro is the kind of app that pushes a remote desktop hard — high-resolution timeline scrubbing, magnetic timeline drags, J/K/L keyboard scrubbing, audio waveforms responding to the playhead. All of it works through Remio because the input path is native and the video stream is 4K HEVC. You can color-grade on the iPad with the Apple Pencil as a Tangent wheel substitute.
- Run Photoshop with full Pencil pressure
- Photoshop on the Mac receives Apple Pencil events as a tablet device — full pressure curve, tilt, and azimuth all map to Photoshop’s brush dynamics. Shape Dynamics, Transfer, Brush Tip Shape all respond as if a Wacom were plugged in. Even Photoshop’s right-click context menus work with a two-finger tap on the iPad screen.
- Control Logic Pro live
- Logic Pro on the Mac responds to the iPad’s touch input for transport (play, stop, record), to the trackpad for fine-grained automation curves, and to the Magic Keyboard for shortcut-heavy editing. The audio routes back to the iPad in sync so you can monitor what you’re mixing — AirPods on the iPad, mix on the Mac, no latency drift between the audio you hear and the meters you see.