Premiere, DaVinci Resolve, Final Cut — at full GPU, on the iPad on your lap. Hardware H.265 and 48 kHz audio in lockstep. The same timeline you left on the workstation.
Most video on the internet is encoded 4:2:0 — one color sample per 2×2 block of pixels. Fine for entertainment, wrong the moment you reach for the color wheel. Edges between red and green smear and fine colored detail turns soft. From a Mac with Apple silicon or a Windows PC, HDR reaches a device with an HDR screen — and true 4:4:4 color for razor-sharp grading references is live today from a Mac or an NVIDIA or recent Intel PC to Mac, Windows, iPhone and iPad.
True 4:4:4 color for grading references — live today from a Mac or an NVIDIA or recent Intel PC to Mac, Windows, iPhone and iPad.
Remote editing separates compute from interaction. The render rig stays in the studio on gigabit fiber; the client travels with you. Remio is the link between the two.
Heavy footage — ProRes RAW, RED R3D, Blackmagic RAW, ARRI — is decoded on the host with its GPU and media engines, so your editing app runs at full speed and Remio's hardware encoder sends the finished picture. The CPU stays free for noise reduction and neural effects.
Boris FX Sapphire, Red Giant, Neat Video, Magic Bullet, Frame.io — all installed on the host, all at host GPU speed. Your dongle stays plugged into the workstation; license keys never move.
Scrubbing is the most latency-sensitive edit action. On the same network, the processing pipeline — capture, hardware encode, the LAN hop, hardware decode — costs about 8 ms (measured internally); the rest is your display's own 60 Hz refresh cadence. On a LAN the playhead keeps up with your finger or Pencil.
Open the project on the workstation from whatever device you have and play the cut right where it lives — no export, no upload, no review link to wait on.
An iPad with Apple Pencil is a natural surface for grading. Point, tap, drag, and scroll with the Pencil — Remio passes it to the host as a precision cursor, mapped 1:1 with no smoothing or acceleration. Pull a curve point in Resolve's RGB curves and it follows the tip exactly. Drag out a power-window mask and the shape lands where you draw. It works as a precise pointer; pressure and tilt aren't sent.
Scopes on the iPad as a second display, timeline on the workstation — at home or away, straight between your devices (away from home needs the latest Remio Host).
Out-of-sync audio is a common complaint about remote editing tools. With Remio, audio stays in sync with the picture.
Video work is mixed at 48 kHz, and that is the rate Remio carries audio at — so music mixed for picture and dialogue ADR aren't pushed down to a lower rate along the way.
Audio stays in sync with the picture — lip-sync stays within one frame, even over a long session.
Play, pause, scrub, or hit a marker from the client — the host's audio follows on the same beat as the picture.
Audio and video ride inside the same end-to-end encrypted session — no separate conferencing app, no extra hop for the sound to take.
Three example setups showing how editors can split the work between a workstation and the device they carry. Hardware specs are typical of each kind of rig.
A colorist runs DaVinci Resolve Studio on an M2 Ultra Mac Studio at the facility, next to her reference monitor and control panel. Away from the studio she opens the same project from a 14" MacBook Pro for notes and tweaks — the grade lives in the project on the Mac Studio, so there is nothing to export or sync.
A documentary editor runs Premiere Pro on a 13900K + RTX 4090 tower with native R3D 8K footage. On the iPad Pro he splits program left, source right — Pencil scrubs the source, finger taps the cut points. Export keeps running on the tower while the iPad sleeps over lunch.
A wedding videographer runs Final Cut Pro on an M2 Mac mini in the home-office closet. From the kitchen table in the same house he edits on a MacBook Air with an iPad propped alongside as a second display for the video scopes panel — over the home network.
Direct answers, no marketing detour.
Install Remio Host on the workstation with the GPU and the dongle, the client on the iPad or MacBook you carry, and pair once with a QR code or a Device ID and PIN — free, no account, no card.
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