What 4:2:0 does
Brightness is stored for every pixel, but color is stored for only one pixel in four. On photographs and video you will never notice. On a one-pixel-wide colored glyph edge, the color information simply is not there to reconstruct.
Syntax highlighting looks slightly muddy. Red text on a dark background bleeds at the edges. Spreadsheet highlights soften. This is not your screen or your connection — it is chroma subsampling, and almost every remote desktop does it. Remio can turn it off.
Video codecs exploit the fact that human eyes are far more sensitive to brightness than to color. For film that is invisible. For a screen full of small colored text it is not.
Brightness is stored for every pixel, but color is stored for only one pixel in four. On photographs and video you will never notice. On a one-pixel-wide colored glyph edge, the color information simply is not there to reconstruct.
Colored syntax themes, red or blue text on dark backgrounds, spreadsheet cell highlights, subtitles, thin colored UI borders, and fine diagram lines. Anywhere color changes across a very small distance.
Full color detail for every pixel. Colored text edges reconstruct exactly, so text on a colored background is as crisp as sitting at the machine. It costs more bandwidth, which is why it is a choice rather than a default.
This is an experimental feature with a deliberately narrow supported path. We would rather tell you the exact combination than let you find out by trying.
A Windows host with an NVIDIA graphics card, streaming to a Mac client. Switch on "4:4:4 color" in the Mac client's settings and the stream re-encodes live — no reconnect needed.
AMD and Intel graphics cannot encode 4:4:4 in this path, and macOS and Linux hosts do not encode it either. Those combinations stream standard 4:2:0 — which is what essentially every remote desktop gives you.
If the host cannot honour the request, Remio falls back to 4:2:0 quietly and the settings panel reflects the real state — it will not claim 4:4:4 you are not getting.
4:4:4 color is commonly a paid tier in this category. In Remio it is part of the app, like everything else.
Parsec gates 4:4:4 color behind Warp, its paid tier at $9.99 per month. Same idea, different price.
Free, on the supported hardware path. No tier, no per-seat pricing, no commercial-use detection, no account required to use it.
4:4:4 needs meaningfully more bandwidth for the same picture. On a strong local network that is free real estate; on a weak connection, 4:2:0 with a higher frame rate will feel better. It is a toggle so you can decide per situation.
Full 4:4:4 color on the supported path, standard 4:2:0 everywhere else, and an honest label either way. Free, no account, no card.
Free foreverNo accountNVIDIA Windows host → Mac client